THE LAC LETTERS
Some things are
worth revisiting.
Voluminous, effortless, just undone enough. The Schiffer wave is having its moment again.
There is a definitive shift happening in the chair. We're moving away from the minimalist, flat-to-the-head looks of the last few seasons toward something much more expressive: The Claudia.
For a long time, the sleek bun was the gold standard. But lately, that look has shifted into something more utilitarian. It's gym hair, it's errand hair. It's efficient. The Claudia is the opposite. It's "Dinner at Sotto Sotto" hair. It is a return to full-body glamour and intentional, expensive-looking volume. It's a 90s supermodel reference that feels entirely current because it's a decision, not an accident.
"A decision, not an accident."
The foundation is built on architecture for movement. Soft, sweeping layers that prioritize swing over weight. The iconic curtain bangs act as the focal point, framing the face and highlighting the cheekbones without the heavy commitment of a traditional fringe. It's a shape designed to grow out beautifully, maintaining its silhouette long after you leave the studio.
While the rest of the industry is catching up, warmth has always been our preferred palette. Honey, butter, toasted cream. Dimension over flatness, glow over grey. Every section designed to catch the light, creating a colour that looks effortless, even when it isn't.
This look is a true partnership. The layers create the space for the light to hit the blonde, while the warmth of the gold gives the volume its richness. When the cut and colour work together with this much synergy, it's worth doing both right.